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1 émail
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2 enamel
1. n эмаль, финифть2. n глазурь, полива, мурава, обливка3. n изделие из эмали, финифти4. n эмалевая краска5. n эмалировка6. n притирание для кожи7. n лак для ногтей8. v покрывать эмалью; эмалировать9. v покрывать глазурью, глазуровать, муравить10. v писать эмалевыми красками11. v поэт. испещрять, украшатьthe meadow enamelled with flowers — луг, усеянный цветами
12. v лакироватьСинонимический ряд:cover (verb) apply; coat; cover; glaze; paint; surface; varnish; wash; whitewash -
3 Neri, Antonio Ludovico
[br]b. 29 February 1576 Florence, Italyd. 1614 Florence, Italy[br]Italian glassmaker.[br]Neri entered the Church and by 1601 was a priest in the household of Alamanno Bertolini in Florence. There he met the Portuguese Sir Emanuel Ximenes, with whom he shared an interest in chemistry. The two later corresponded and the twenty-seven letters extant from Ximenes, who was living in Antwerp, are the main source of information about Neri's life. At the same time, Neri was working as a craftsman in the Medici glasshouse in Florence and then in their works at Pisa. These glasshouses had been flourishing since the fifteenth century with the help of Muranese glassmakers imported from Venice. Ximenes persuaded Neri to spend some time with the glassmakers in Antwerp, probably from 1603/4, for the correspondence breaks off at that point. A final letter in March 1611 refers to Neri's recent return to Florence. In the following year, Neri published the work by which he is known, the L'arte vetraria, the first general treatise on glassmaking. Neri's plan for a further book describing his chemical and medical experiments was thwarted by his early death. L'arte belongs to the medieval tradition of manuscript recipe books. It is divided into seven books, the first being the most interesting, dealing with the materials of glassmaking and their mixing and melting to form crystal and other colourless glasses. Other sections deal with coloured glasses and the making of enamels for goldsmiths' use. Although it was noted by Galileo Galilei (1564–1642), the book made little impression for half a century, the second edition not appearing until 1661. The first Venice edition came out two years later, with a second in 1678. Due to a decline in scientific activity in Italy at this time, L'arte had more influence elsewhere in Europe, especially England, Holland and France. It began to make a real impact with the appearance in 1662 of the English translation by Christopher Merrett (1614–95), physician, naturalist and founder member of the Royal Society. This edition included Merrett's annotations, descriptions of the tools used by English glassmakers and a translation of Agricola's short account of glassmaking in his De re metallica of 1556. Later translations were based on the Merrett translation rather than the Italian original. Ravenscroft probably used Neri's account of lead glass as a starting point for his own researches in the 1670s.[br]Bibliography1612, L'arte vetraria, 7 vols; reprinted 1980, ed. R.Barovier, Milan: Edizioni Polifilo (the introd., in Italian, England and French, contains the most detailed account of Neri's life and work).LRD
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